A Global Hitmaker Meets Bollywood’s Business Royalty
When American rapper and singer Post Malone touched down in Mumbai in December 2022 for his first-ever performance in India, he wasn’t the only notable name on the bill. Sharing the stage that evening was Ananya Birla, singer-entrepreneur and the eldest daughter of billionaire industrialist Kumar Mangalam Birla, chairman of the Aditya Birla Group. The pairing of a Grammy-nominated global superstar with a scion of one of India’s most storied business dynasties made for an unusual but memorable night of entertainment, blending Hollywood-style spectacle with homegrown Indian talent.
The event, known as the Zomato Feeding India Concert, was held at the Mahalaxmi Race Course in south Mumbai and aimed to raise awareness and funds to combat malnutrition across the country. Alongside Post Malone and Ananya Birla, the line-up reportedly included artists such as KING, KSHMR, Jonita Gandhi, Ritviz, Zaeden and Anuv Jain, drawing a large and enthusiastic crowd eager to see the “Sunflower” hitmaker perform live on Indian soil for the first time.
Who Is Post Malone? A Quick Introduction
For readers less familiar with the chart-topping artist, Post Malone was born Austin Richard Post on 4 July 1995 in Syracuse, New York. He rose to mainstream fame in 2015 with his viral breakout single “White Iverson” and has since become one of the most commercially successful and genre-defying musicians of his generation, blending hip-hop, pop, rock and, more recently, country influences.
His catalogue includes diamond-certified hits such as “Circles”, “rockstar” and “Sunflower”, the latter featured on the soundtrack of the animated film Spider-Man: Into the Spider-Verse. Over the years, Post Malone has built a reputation not just as a hitmaker but as a genuinely versatile performer, equally at home on a hip-hop track as on a country duet. His willingness to experiment has reportedly won him fans across wildly different musical communities, something that may explain why his arrival in India generated such excitement among local audiences who had followed his career largely through streaming platforms.
By the time he arrived in Mumbai, Post Malone had already completed several major arena and stadium tours internationally, but the Feeding India concert marked his first live appearance in the country, making it a milestone moment for his Indian fanbase.
The Birla Connection: Who Is Kumar Mangalam Birla?

Kumar Mangalam Birla is one of India’s most prominent industrialists and the chairman of the Aditya Birla Group, a sprawling conglomerate with interests spanning cement, textiles, aluminium, telecommunications, financial services and, more recently, branded jewellery. Born in Kolkata in 1967, Birla took over the family business at the age of just 28 following the death of his father, Aditya Vikram Birla, in 1995. He went on to consolidate the group’s various companies under a single unified brand in the years that followed.
A chartered accountant by training, Birla also holds an MBA from the London Business School. He has been recognised repeatedly for his contributions to Indian industry, including being honoured with the Padma Bhushan, one of India’s highest civilian awards, in 2023. While Birla himself is known chiefly for his boardroom presence rather than show business, his family has increasingly found its way into the entertainment spotlight through his eldest daughter, Ananya.
Ananya Birla: Bridging Business and Music
Ananya Birla, born in 1994, has carved out a parallel identity distinct from her father’s corporate empire. She founded the microfinance company Svatantra Microfin at just 17 and has since built a career as a singer-songwriter, reportedly becoming the first Indian artist with an English-language single to achieve platinum status. Her musical journey began in childhood with the santoor, a traditional Indian stringed instrument, before she later taught herself guitar while studying in the United Kingdom.
It was this musical career that reportedly placed her on the same bill as Post Malone at the Feeding India concert, offering a rare instance of the Birla family name appearing in a pop-culture context rather than a purely business or philanthropic one. Beyond music, Ananya has also been vocal about mental health advocacy, having launched the Ananya Birla Foundation in 2020 to support young people struggling with anxiety and depression.
Post Malone’s Wider India Story

The Mumbai concert turned out to be far from Post Malone’s last engagement with India. Three years later, in December 2025, he reportedly returned to the country for his first-ever solo headline concert, this time in Guwahati, Assam. The show was organised in collaboration with the Assam state government as part of a broader push to position the north-eastern state as a hub for international live entertainment.
That Guwahati concert drew an estimated 20,000 attendees and reportedly generated close to £4 million in local economic impact, according to figures cited by tourism officials. During the performance, Post Malone reportedly paid an emotional tribute to the late Assamese singer Zubeen Garg, a gesture that was warmly received by local fans and widely shared on social media.
Why the Pairing Resonated With Fans
The juxtaposition of a tattooed, genre-blending American rap star with a scion of one of India’s oldest business families captured public attention precisely because it felt so unexpected. For many young Indian concertgoers, the Feeding India event offered a rare opportunity to see a global chart-topper perform domestically, while Ananya Birla’s presence underscored how India’s business elite are increasingly engaging with popular culture rather than remaining confined to the corporate sphere.
Whether or not Kumar Mangalam Birla himself attended the concert has not been confirmed, but his daughter’s involvement was enough to place the Birla name alongside Post Malone’s in event listings and entertainment coverage at the time.
The Bigger Picture
Post Malone’s India outings — first in Mumbai and later in Guwahati — reflect a broader trend of major international artists increasingly viewing India as a viable touring market, buoyed by a young, digitally connected fanbase hungry for live Western entertainment. For families such as the Birlas, whose business interests are deeply woven into India’s economic fabric, occasional crossovers into the entertainment world, whether through philanthropy, music or public events, continue to generate fresh public interest.
As India’s live concert industry continues to expand, with state governments reportedly competing to attract major international acts, it seems likely that such unlikely convergences of global pop stardom and Indian business royalty will only become more frequent.


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